Repatriation
The NFSA Indigenous Collections Branch visits Yirrkala in north-east Arnhem Land, Northern Territory to repatriate audiovisual materials to the Buku-Larnnggay Mulka Multimedia Archive and Production Centre.
The NFSA Indigenous Collections Branch visits Yirrkala in north-east Arnhem Land, Northern Territory to repatriate audiovisual materials to the Buku-Larnnggay Mulka Multimedia Archive and Production Centre.
The NFSA becomes an independent statutory authority on 1 July.
The NFSA’s state-of-the-art screening venue, Arc cinema, opens in August.
The NFSA launches Sounds of Australia to promote and celebrate the nation’s sound heritage.
The NFSA digitally restores The Story of the Kelly Gang (1906), considered to be the world’s first feature-length film, to mark the centenary of its premiere.
New additions to the NFSA collection in 2005 include 35mm feature film prints of Moulin Rouge! (2001), Survivor (1981), The Silver Brumby (1993), Dingo (1991) and The Year My Voice Broke (1987).
The NFSA receives a major television donation from Crawford Productions.
The NFSA Kodak/Atlab project restores 50 Australian colour feature films over five years.
The NFSA acquires the first consignment of a major sound recording collection of INXS material.
The NFSA restoration of The Sentimental Bloke is a hit with audiences 85 years after the original film’s release.
A new Indigenous unit is created to oversee development of the NFSA’s Indigenous audiovisual collection.
Paolo Cherchi Usai is appointed as the new NFSA Director.
The federal government merges the NFSA with the Australian Film Commission from 1 July. An estimated 800 people attend two ‘Save ScreenSound’ rallies in Canberra, which attract wide media attention, and stakeholder groups lobby for NFSA statutory autonomy. The following year, the ScreenSound brand is dropped and the name returns to National Film and Sound Archive.
The NFSA restores family photos from a major bushfire in the ACT that destroys or severely damages more than 500 homes and kills four people.
Acquisition highlights include papers covering the career of Australian producer Anthony Buckley and animation cels from Dot and the Kangaroo (1977).
The NFSA’s still image preservation services switch from analogue preservation processing to digital formats.
The NFSA repairs and copies The Sentimental Bloke (1919), incorporating newly discovered material, and the nitrate print of Neptune’s Daughter (1914), starring Australian swimmer/actor Annette Kellerman.
The NFSA collection now numbers over one million items.
Big Screen commences touring Australian films to regional centres in 2001.
A major permanent exhibition, Sights + Sounds of a Nation, opens at the NFSA in February.
The Australian Writers’ Guild donates 1000 film, television and radio scripts to the NFSA.
Volunteer advocacy group the Friends of the NFSA is formed.
The Performing Arts Museum, Melbourne donates 60 wax cylinders from 1897, including Australia’s earliest surviving sound recordings.
Major extensions to the NFSA building are opened in June by Prime Minister John Howard.
The NFSA changes its name to ScreenSound Australia.
The NFSA restores two major feature films from South-East Asia.
The Radio with Pictures interview project commences. It includes filmed oral histories with prominent media personalities such as Bruce Gyngell AO.
The NFSA establishes the Australian Jazz Archive in partnership with the jazz musicians’ community to build a national collection of recordings and other jazz materials.
The NFSA is instrumental to the formal establishment of the South East Asia-Pacific Audio Visual Archives Association (SEAPAVAA) in Manila, Philippines in February 1996.
The NFSA establishes the Ken G Hall Award for services to film preservation in Australia.
The NFSA is quickly outgrowing its current available space and an extension to the heritage building is announced.
More than 5000 people on the Sydney Opera House steps enjoy a summer evening screening of Cinesound newsreels and features from the NFSA collection as part of the Festival of Sydney.
A cake tin donated to the NFSA contains 24 minutes of the previously lost bushranger film Thunderbolt (1910).
An extensive Pacific music archive becomes part of the NFSA collection.
Ron Brent is appointed as the new NFSA Director.
NFSA hosts the 24th International Association of Sound and Audiovisual Archives conference – the first to be held in the southern hemisphere.
In May the NFSA begins Once Upon A Wireless, the single largest Oral History project with which the NFSA has been involved.